Tira Mitchell, who now teaches Basic Engraving at the GRS Training Center, is well known for her chromed pieces. She engraves in many different metals, and some parts like the ones here end up as slick looking covers, caps, and parts for motorcycles.

Because of the scale of the parts Mitchell sometimes engraves, she can execute large scrolls and designs very well. Even very large monograms turn out with nicely-cut lines and even spacing. These two designs may look simple and easy to accomplish to an inexperienced viewer. However, maintaining control of the graver over a large area can be much harder at times than cutting a miniscule English scroll.

An engraving design element like an English scroll gives an overall effect where the eye may not detect minor inconsistencies in the cutting execution. When looking at a seemingly simple design like the two shown here, any waver in the cut is automatically detected by the eye — especially with parallel lines and geometric shapes.

This is something to keep in mind when planning any design, whether grand or minute. The more open and geometric a design is, the easier we as humans see any error. With a design that is more abstract, organic or freeform, a slip of the graver or a broken line can be hidden or fixed most of the time.

Consider trying out two different designs, one simple, large and open, and the other more detailed and ornate. Analyze the way your cuts appear at arms length, and learn from the experience.