Engraved Microblock: One Way to Create a Scene Layout
In July 2007, we presented the first step for this high-relief engraving by Robert L. “Bob” Finlay on his GRS
Microblock engraving project. Here's the next step.
Along one side of the block crown you can see how Bob has already
cut some outlines of the buffalo hunt scene and started the heavy background
removal. Close examination will also show that he has transferred the
major lines of each figure by stippling. To do this, he taped the exact
size paper drawing of the scene directly over the metal. Then, using
a sharp stipple point, he stippled through the paper carefully following
the major lines in his drawing. The result is an accurate transfer
of the major elements. It is then fairly easy for Bob to outline these
figures with his graver. Basically, he "connects the dots" using his
eye to smooth the stippled outlines.
At this point the scene seems fairly simple, but the challenging 3D sculpting work is ahead. Most of the time, Bob prefers to remove the background metal before he detail sculpts the figures. His system for keeping the background evenly relieved is to make closely spaced parallel cuts with a square graver to provide witness depth marks. The bottom of these cuts will provide a depth reference to guide the subsequent excavation and smoothing of the background to a consistent and planned depth.
This impressive and artful project will be shown in various stages, so be sure to visit the GRS Featured Photos in the future.
Tools used: Bob uses a GRS GraverMach with Magnum handpiece to do most of his work, especially the heavy relief which is up to 0.060" deep in this stainless steel workpiece.