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Tuesday, June 26, 2007
 
 

The Structure of Scrolls
A common design challenge for engravers is leaves. No matter how well a leaf is shaded, it's overall beauty and visual impact depends considerably on proper artistic structure. Here is an excerpt from Ron Smith's book Drawing & Understanding Scroll Designs for Artists, Engravers, and Collectors where he discusses line relationships and leaves.

"In Fig. 16, although the leaf patterns are varied, their emotional impacts are perceived to be about the same. Why? Because all structural lines are parallel, promoting direction and flow.

Again in Fig. 17 similar line structures yield completely different impact emotionally. Why? The answer lies in the line relationships, or relativity. In Fig. 17-B the leaves are somewhat grotesque since not all of the parts are in harmony.

In Fig. 18-A there are seven lines, properly placed, making up a pleasing leaf structure. The whole is graceful, flowing, and in harmony with each of its individual parts. Look closely and you will see that all of its parts are flowing in the same direction with only slight deviations from this rule.

Fig. 18-B shows examples of leaf structures similar to those in 18-A. Each of these structures is different from the others, but the visual motion of the leaves is maintained by the parallel lines. "

To learn more about the structure of scrolls, add Ron Smith's Drawing & Understanding Scroll Designs for Artists, Engravers, and Collectors to your library today. For a more hands-on learning experience, check out Ron Smith's Scrolls & Design course.
 
   
 
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